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SNAPSHOT

The inaugural exhibition featuring works by gallery artists

26 April - 13 May 2006

THE new John Buckley Gallery has several things in common with the new Scott Livesey Gallery, reviewed two weeks ago.

Both are a timely upgrading of exhibition facilities that beam an optimism for the future of the Melbourne art market.

You enter both through small ante-rooms that open into larger high-ceilinged, white-walled, well-lit interiors.

With the Buckley it's a mixture of natural and halogen wallwashing lights that diffuse rather than spotlight the paintings.

The result is a functional neutral space well suited to the display of two- and threedimensional works. Somewhere to sit while contemplating the art is the only thing missing.

Buckley began as an artist. At RMIT in the early 1960s he was an outstanding student.
He completed an MA in Canada and turned to teaching and curating exhibitions and collections in public galleries.

In the 1970s, as director of the Institute of Modem Art, Brisbane, he mounted major survey exhibitions by Sidney Nolan, Fred Williams and Arthur Boyd.

He became the foundation director of Melbourne's Australian Centre for Contemporary Art in 1984-85 and bought many overseas artists to Australia, including Carl Andre, Michael Craig-Martin, William T. Wiley, and later, Keith Haring. Buckley then worked as a freelance art consultant in the private sector.

In 1998 he opened his first commercial gallery at 114 Bendigo St, Prahran.
Former National Gallery of Australia director Betty Churcher, in her opening address at the new gallery, described him as "having an excellent eye", as someone with a history for "anticipating trends and identifying great art". True.

His opening exhibition, Snapshot, is exactly that. There is something by each artist Buckley represents, including Geoff Bartlett, Bruce Armstrong, Jennifer Goodman, Jeremy KibeI, Gareth Sansom and Su Baker (who has the next exhibition).